Skip to main content
Mackie 802VLZ4 8 Channel Ultra Compact Mixer for Live Sound Mixing Applications

Mackie 802VLZ4 8 Channel Ultra Compact Mixer for Live Sound Mixing Applications

Mackie

$219.99
(No reviews yet) Write a Review
SKU:
161292
UPC:
663961039832
Shipping:
Free Shipping
Adding to cart… The item has been added
Mackie 802VLZ4 8 Channel Ultra Compact Mixer for Live Sound Mixing Applications

The 8-channel 802VLZ4 features the proven performance of our flagship Onyx mic preamps in a desk-friendly,
ultra-compact design, perfect for professional applications with a lower input need.

From every input to every output, the 802VLZ4 is designed to provide the highest headroom and lowest noise possible for maximum signal integrity.

Plus, it truly is “Built-Like-A-Tank” with a ridiculously rugged solid steel chassis and high-contrast controls for ultimate tactile control.

And with features like instrument level inputs, phantom power and level metering, the 802VLZ4 offers a true step-up performance and durability that’s ideal for your professional application.

Features
  • 8-channel mixer featuring our signature high-headroom, low-noise design
  • 3 boutique-quality Onyx mic preamps
  • Ultra-wide 60 dB gain range
  • 128.5 dB dynamic range
  • +22 dBu line input handling
  • Extended frequency response
  • Distortion under 0.0007% [20 Hz – 50 kHz]
  • Improved RF rejection, perfect for broadcast applications
  • Phantom power for condenser mics
  • Eight high-headroom line inputs
  • Selectable instrument inputs on first two channels – no DI box needed
  • 3-band EQ (80 Hz, 2.5 kHz, 12 kHz)
  • 18 dB/oct 100 Hz low-cut filter on mic input channels
  • Aux send, level, pan and PFL solo on each channel
  • Stereo return for connecting FX processor or other stereo source
  • ALT 3/4 stereo bus for added routing flexibility
  • Control room / phones source matrix
  • High-resolution 12-segment stereo meters
  • Sealed rotary controls resist dust and grime
  • “Built-Like-A-Tank” rugged steel chassis with powder-coat finish
  • High-visibility, high-contrast controls deliver convenient “at-a-glance” visual feedback

Specifications

Main Mix Noise
(20 Hz–20 kHz bandwidth, channels 1-3 gain @ unity, channel EQs flat, all channels assigned to main mix, channel 1 panned left, 2 panned right, 3-8 centered.)
Main mix knob down, channel level knobs down:
XLR:  –95 dBu
TRS:  –101 dBu
Main mix knob @ unity, channel level knobs down:
XLR:  –90 dBu
TRS:  –96 dBu
Main mix knob @ unity, channel level knobs @ unity:
XLR:  –84 dBu
TRS:  –90 dBu

Total Harmonic Distortion (THD)
(1 kHz @ 30 dB gain, 20 Hz–20 kHz bandwidth) Mic pre @ insert: <0.001%

Attenuation / Crosstalk
(1 kHz relative to 0 dBu, 20 Hz–20 kHz bandwidth, line in, 1/4" main out, gain @ unity)
Main mix knob down: –75 dBu
Channel Alt / Mute switch engaged: –100 dBu
Channel level knob down: –100 dBu

Frequency Response
Mic input to main output (gain @ unity)
+0, –1 dB, 20 Hz to 50 kHz
+0, –3 dB, <10 Hz to >100 kHz

Equivalent Input Noise (EIN)
(Mic input to insert send out, max gain)
150Ω termination: –128.5 dBu
20 Hz–20 kHz

Common Mode Rejection Ratio (CMRR)
1 kHz: better than –70 dB

 
Maximum Levels
Mic in: +21 dBu
Tape in: +22 dBu
All other inputs: +22 dBu
Main mix XLR out: +28 dBu
All other outputs: +22 dBu

Impedances
Mic in: 2.55
Channel insert return: 5kΩ
All other inputs: 17kΩ or greater
Tape out: 1.0kΩ
Phones out: 60 Ω
All other outputs: 120 Ω

EQ
High Shelving ±15 dB @ 12 kHz
Mid Peaking ±15 dB @ 2.5 kHz
Low Shelving ±15 dB @ 80 Hz
© 2025 Echotone Music LLC All Rights Reserved. Any use of any material content, images, or design, without prior written consent from echotonemusic.net, is strictly prohibited by law.
!